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author | Andrew Kelley <superjoe30@gmail.com> | 2014-02-26 01:47:40 -0500 |
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committer | Anton Khirnov <anton@khirnov.net> | 2014-02-26 08:09:58 +0100 |
commit | 738f83582a3aaabb81309eacd4ab9c3d2acb4071 (patch) | |
tree | d47484d75924af868afe29cff42834d2428a0a75 /doc | |
parent | 4ec336484d638b6b009636f465352c61a5a57061 (diff) | |
download | ffmpeg-738f83582a3aaabb81309eacd4ab9c3d2acb4071.tar.gz |
lavfi: add compand audio filter
Signed-off-by: Anton Khirnov <anton@khirnov.net>
Diffstat (limited to 'doc')
-rw-r--r-- | doc/filters.texi | 73 |
1 files changed, 73 insertions, 0 deletions
diff --git a/doc/filters.texi b/doc/filters.texi index e74f917ecf..68a657ae76 100644 --- a/doc/filters.texi +++ b/doc/filters.texi @@ -467,6 +467,79 @@ To fix a 5.1 WAV improperly encoded in AAC's native channel order avconv -i in.wav -filter 'channelmap=1|2|0|5|3|4:channel_layout=5.1' out.wav @end example +@section compand +Compress or expand audio dynamic range. + +A description of the accepted options follows. + +@table @option + +@item attacks +@item decays +Set list of times in seconds for each channel over which the instantaneous level +of the input signal is averaged to determine its volume. @var{attacks} refers to +increase of volume and @var{decays} refers to decrease of volume. For most +situations, the attack time (response to the audio getting louder) should be +shorter than the decay time because the human ear is more sensitive to sudden +loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and +a typical value for decay is 0.8 seconds. + +@item points +Set list of points for the transfer function, specified in dB relative to the +maximum possible signal amplitude. Each key points list must be defined using +the following syntax: @code{x0/y0|x1/y1|x2/y2|....} + +The input values must be in strictly increasing order but the transfer function +does not have to be monotonically rising. The point @code{0/0} is assumed but +may be overridden (by @code{0/out-dBn}). Typical values for the transfer +function are @code{-70/-70|-60/-20}. + +@item soft-knee +Set the curve radius in dB for all joints. Defaults to 0.01. + +@item gain +Set additional gain in dB to be applied at all points on the transfer function. +This allows easy adjustment of the overall gain. Defaults to 0. + +@item volume +Set initial volume in dB to be assumed for each channel when filtering starts. +This permits the user to supply a nominal level initially, so that, for +example, a very large gain is not applied to initial signal levels before the +companding has begun to operate. A typical value for audio which is initially +quiet is -90 dB. Defaults to 0. + +@item delay +Set delay in seconds. The input audio is analyzed immediately, but audio is +delayed before being fed to the volume adjuster. Specifying a delay +approximately equal to the attack/decay times allows the filter to effectively +operate in predictive rather than reactive mode. Defaults to 0. + +@end table + +@subsection Examples + +@itemize +@item +Make music with both quiet and loud passages suitable for listening in a noisy +environment: +@example +compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2 +@end example + +@item +Noise gate for when the noise is at a lower level than the signal: +@example +compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1 +@end example + +@item +Here is another noise gate, this time for when the noise is at a higher level +than the signal (making it, in some ways, similar to squelch): +@example +compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1 +@end example +@end itemize + @section join Join multiple input streams into one multi-channel stream. |